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Still Life? - PBF04 / Giljung Yoon

15 November to 21 December 2019

The series Seesaw is a project that tries to hold the viewer's attention to everyday objects. Giljung Yoon deconstructs his images and burns the subjects to add a sense of unfamiliarity and approach their essence.

“Unbeknownst to us, models have replaced real objects and deeply ingrained themselves in our lives. Photographs copy objects into visual images. If you take a photo of a real object, it is a copy; if you take a photo of a model, it is a copy of the copy. I took a picture by intermixing real objects and elaborate models. As photographs do not allow access to sensory organs other than vision, I cannot tell which is real or not. (…) Curiosity does not work when we see an image fixed in our memory. We will not approach the essence of an object. (…) So, I attempted to deconstruct the process to add a sense of unfamiliarity. Objects can be easily recognized by their shape and color. (…)” (Giljung Yoon) 

The photographer therefor decides to deconstruct the images, by burning the objects, by mixing the photographs with model images, by cutting and recomposing them. This in order to retain a longer attention of the viewer.

*This artist was presented in collaboration with the Korean Cultural Center in Brussels. He will be also exhibited to the KCC during the PhotoBrussels Festival 2020.

Giljung Yoon is born in 1961 in Gurye Jeollanan-do, South Korea. Lives and works in South Korea.

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